It’s a sad fact that most of the reading I do nowadays is work-related. 200+ news articles a day to sort through for Save Your Fork and TasteTO, books to review, articles to edit. And even my “just for fun” stack of reading tends towards food theory.

Before the holidays I combed the book guides in the newspapers and spent an afternoon on the Toronto Public Library website requesting books, a number of which were novels. Three of them finally became available last week and I bemoaned my misfortune and lack of foresight in not making some of them inactive (TPL lets you stay in the queue for popular books but accept them only when you’re ready). How was I going to get through all of these in the three weeks I was allowed to have them checked out?

Of course, I forgot how fast I can read fiction. I forgot what’s it’s like to get my nose in a book. I forgot that when I’m in the middle of a story, nothing else matters and nothing else registers. Being pulled from that story, whether by interruption or necessity is physically, agonizingly painful. Like being awakened in the middle of a sound sleep and dragged out of bed. My facial expression during the 24 hours it took me to read The Book of Negroes was almost permanently at a scowl unless I was actually reading. If I wasn’t in the book, I was thinking about how I could get back to it, or how perturbed I was at having to set it down.

The book wasn’t perfect – while The Book of Negroes has received critical acclaim, there were parts that were a bit clunky or lacking in detail for me. There were parts of the plot that seemed unreasonable and illogical. But it was still an engrossing, really poignant story.

Reading non-fiction the majority of the time, I never really get engrossed. Involved, maybe, but often lots of it is quite dry, full of statistics about farms and things like pesticides (the curse of the food writer). Sometimes it can take me a month or more to get through a particularly difficult book because I don’t ever take the time to sit down and just read. That’s a luxury I can seldom afford.

But novels don’t give you a choice – novels demand to be read, in full, with no breaks – like a movie. They demand that the housework be neglected, commitments be set aside, dogs be ignored and husbands be brushed off – all so that they can engulf and consume the reader.

I don’t have nearly as much time as I’d like to devote to reading fiction. If I tried, nothing else would get done, my world would come to a grinding halt. So it’s a treat that I mete out, little by little. And when I’ve got my nose in a book, think twice before disturbing me. And don’t be surprised if I scowl when you finally get my attention.

Think of all the entertainment-related things you pay for on a daily basis; television via a cable provider, newspapers, magazines, movies, music. It used to be that you had physical proof of these things – with the exception of cable, you could hold them in your hand or you went out and experienced them. Yet, nowadays, most of these things are available via the Internet – some are free, some, like music, must be paid for.

There has been a theory that information on the Internet must be free – that the whole darned thing is supposed to be about the free exchange of ideas. And it is, to a point. But not all ideas are good ideas, and not all information is accurate, and not everything that is available, free or not, is of quality. A point is coming, where, even online, we’re going to have to be willing to pay for quality.

All of this puts me in the odd position of agreeing with Globe and Mail columnist Leah McLaren. I’m not a fan of McLaren, and critics would definitely say that she’s biased in her opinion about how we have to acclimate ourselves to a pay system for accessing news on the Internet (she works for a major newspaper, after all). But she’s right.

Last week, the New York Times announced that they would initiate a “pay wall” in early 2011 – basically a system where people could access a preset number of articles for free and then would have to pay if they went beyond that. Subscribers to the paper version would be given a code to allow them unlimited access online. With ad revenue way down in all forms of print media, all publications are looking for ways to monetize their online presence. Papers like the NYT and the Globe have tried various pay schemes before (predominantly one where readers would get a portion of a story but would then have to buy a paid subscription to see the rest), but it was never really accepted. This system just might.

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When we first moved into this apartment, we weren’t sure how long we’d stay. I was not keen on the idea of apartment living, and we were still considering buying a house – this was to be a test to see if we could live in a condo without going insane. So we bought a cheap sofa, figuring we’d get another one if/when we moved again. It wasn’t ever very comfortable; I migrated to a chair rather quickly when I discovered that the angle of the seat on the sofa made my leg go numb.The cat shredded the arms, and a certain little brown dog pretty much claimed the thing as her own.

Four years later, we’re still here, after realizing that we could live in an apartment but that most condos won’t allow our large dogs. Four years later, and we really needed a new sofa.

We splurged on what we’ve called “our first grown-up sofa” – a stylish green loveseat that looks like it should be on the set of Mad Men. Other than the fact that the seat is a little deep for me and I need an ottoman (when we checked it out I was wearing boots that make me 2 inches taller; my feet touched the floor fine in the store, not so much at home), we like it very much.

Tula, however, while she likes it fine now, was not especially pleased with the transition.

The old sofa on its way out. Tula is not impressed. “Noooo! Don’t take it away!!”

Bringing new meaning to “curling up in a chair”. Still not impressed.

Dog and blanket installed on new sofa. “I guess this will do.”

Most years I send an amaryllis to my Grandmother for Christmas. This year, I bought one for myself, and it bloomed just before the holidays.

This was more of a true pink in the photo on the box – the flower itself turned out to be a salmony pink that I’m not terribly fond of.

Nevertheless, having something grow so fast and then burst out into four huge blooms is still pretty cool to experience. But I’ll probably go with a red one next year.

We went to the Festival of Lights Solstice parade last night. Which I guess is what you do if you’re not quite sure how else to celebrate the season but want to pay homage to nature, pre-Christian traditions or just generally like the sound of hippies banging drums. Because you can be sure that all the real Pagans and Wiccans who consider this an actual religious event were probably not standing around in Kensington Market last night watching people walk around with lanterns.

However, the idea of celebrating the Solstice is much more concrete to me than the birth of Jesus. Yes, I believe Jesus existed, but I’ve always taken umbrage with the idea that early Christians moved the celebration of his birth to coincide with Saturnalia and the Solstice to lure pagans to Christianity through the temptation of a bigger and better party. Almost all of the “traditional” Christmas traditions predate Christ.

Also, as someone who is really into food, sustainability, supporting farmers and enjoying the harvest, the Solstice as the huge year-end celebration just seems to make so much more sense. On the darkest day of the year, it is just so logical and down to earth to celebrate the returning of the sun, without which we could not survive. After a long year of harvesting, the Solstice celebration is not only a way to enjoy what has been reaped in the previous year but a way to look ahead to the the year and new crops and new conquests.

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Someone called me a Grinch today.

Not because I was ranting about how much I hate Christmas -I wasn’t and I don’t – but because I was ranting about the fact the people were complaining about having to do their Christmas shopping.

Now, I’m one of those annoyingly organized people. I make lists and check things off (much like the jolly old elf himself), and most people are not surprised to learn that I keep Christmas on a spreadsheet in my computer. That’s right – a spreadsheet. A workbook actually, with lists of what I bought for people, what they bought for me and what stuff I baked, how it turned out and who liked what (ie. no fruitcake for brother, extra Turkish delight for the folks).

I like to think I know what my recipients like and keep an eye open all year for appropriate gifts. That’s why my Grandmother’s gift was bought in August during a trip to Niagara-on-the-Lake, and that book for my brother was nabbed at a holiday book sale in 2008 at a publishers warehouse sale. Yes, that’s right… I buy Christmas gifts a year ahead.

Lest you think I’m insane, let’s talk about right now. My holiday shopping is done, wrapped and shipped off. I have no need to enter malls, fight crowds, settle for crap no one wants or needs, or spend more than I had budgeted. There will be no last minute trek out into the cold night for scotch tape, and no one will receive those dubious pre-packaged gifts of hot chocolate and ugly mugs (because nothing says “I had no idea what to get you and couldn’t be bothered to think about it” more than a pre-packaged gift basket).

What I don’t get is why people put themselves through the whole thing. You had a whole year… why did you leave it to the last minute – again???

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They say that a truly great writer has the ability to adapt their tone and style to the publication and audience they’re writing for. I can write a sharp scathing business letter that reads like it has come from a lawyer’s office (much to the chagrin of my apartment building manager). I can write a soulful article about a food artisan and truly convey how much they love their work. I can write flowery essays so vivid that they utterly capture one brief moment in time.

Yet when I speak, I am prone to cursing, slang and most of all, the catchphrase.

Not clichéd phrases, but little sound bites culled from popular culture.

After seeing the award winning play I, Claudia twice, Greg and I now refer to almost everything as “HIGH-larious”, a phrase used regularly by the 12-year-old title character.

When cooking, or completing any task, really, I will loudly pronounce “Done!”, something I’ve picked up from Gordon Ramsay’s The F-Word show.

From The Simpson’s, we’ve collected 20 years of catch phrases and word play. I now regularly (and jokingly) refer to the book place as the “lie-berry”, call the elevator the “uppity box”, and have used the phrases, “donuts, is there anything they can’t do?” and “Haha! Your Dad’s not handy!” on more than one occasion.

The problem is, I’m 41.

I don’t know if this makes me hip or really lame.

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The problem with having so many forms of “social media” at our disposal is often a matter of choosing which one to use.

While I still hate it, I’ve managed to maintain a Twitter account without going on a killing spree, but I find it a very dissatisfying tool. Not because of having to edit my thoughts into a certain number of characters, but because Twitter doesn’t offer enough in the way of controls in terms of who can see and interact with my posts. Which means, if you want to use Twitter as a promotional tool, anything you write is out there for any yahoo to comment on. I’ve blocked more people on Twitter than I have on any other service, including back in the days of LiveJournal before they added all the privacy settings. I will like Twitter more when it allows me to easily filter dickwads and douchbags.

Facebook is a decent place for what I think of as “closer” communication. Because you have to approve “friends”, it mostly keeps the creeps at bay, and the larger status update space lets you get a full thought in without spending half an hour trying to figure out how to get it down to 140 characters. It’s also more visual, so you have a general idea of what you’re clicking on when you follow a link.

And then of course, there’s the old blog. Which is often ignored these days in favour of condensing a thought into an appropriate size for Facebook or Twitter.

I’ve found myself mulling over topics I’d like to write about and considering whether or not I can get enough out of the issue at hand to qualify for a full blog post. Often, especially if I’m busy, I’ll mention something on Facebook or Twitter because I don’t have time to really write and think about a topic.

And this kind of saddens me. I’ve seen many decent writers (especially food bloggers) abandon their blogs in favour of Twitter. And I’ve seen even more self-proclaimed “writers” (who could really use the practice and skill development that blogging affords them) not bother to write full articles anymore because they are much more invested in the instant gratification of Twitter.

This was all provoked by a perusal of some old LiveJournal writing that I saved when I shut that account down and created this blog. There’s some damned good stuff there – on a scale that I’m not living up to here – and it bothers me that I’m so distracted by other tools that I don’t have time to write like that anymore. I’ve always said that a good writer can make any topic interesting, and that skill and practice are what turn okay writing into beautiful writing. I think I’m a good writer, particularly in my chosen field of food writing. But when it comes to writing about anything else, I’ve taken the lazy man’s route of Facebook or Twitter updates instead of really *working* at the topic and making it beautiful.

Awareness is the first step, so hopefully that will change now that I’m conscious of it. Because the world needs more beautiful writing. And for my own sense of self, I need to be attempting more of it.

As most people know, my photography interests and skills lean more towards food than people, so my concert shots (when I bother) are not stellar. As demonstrated below, I took a pile of shots through the first few songs of DEVO’s set last night with the camera on the wrong setting.

But when you’ve been wanting to see a band live since you were 13, evidence that you were actually there (some 28 years after the fact) is probably in order.

Am a bit exhausted today, but the show was brilliant. The band was tight and really energetic, although Mark Mothersbaugh was obviously using a teleprompter of some sort to remind him of the words on the more obscure album tracks.

The show was shorter than we’d have liked – the point was to play Freedom of Choice in it’s entirety, but albums were short back in the days of vinyl.

Before the band came out, the crowd watched the videos for Girl U Want, Whip It and Freedom of Choice on a big video screen. This made some in the crowd cranky – perhaps because they thought the band wouldn’t do the same tracks live, but they did.

We were quite near the front for the first few tracks (the entrance at The Phoenix where the band played is to the right of the stage), but after manic pogoing to Whip It, I moved to the back because it was too packed.

Mothersbaugh tossed a half dozen energy domes into the crowd which people fought for like home run balls at a baseball game, given the hats were $30 at the merchandise table.

For an encore they first did Be Stiff and then Beautiful World. I wasn’t super happy with this rendition – BW is my favourite DEVO song and Motherbaugh did most of it as Booji Boy and went on a bizarre tangential story about Booji riding in a limo with Michael Jackson. It was supposed to be social commentary of a sort, which DEVO is, of course, known for, but not being able to hear half the story just made the whole thing kind of weird.

Some shows got an second encore of Secret Agent Man, but it was not to be, and after tripping and rolling across the floor on the hundreds of rubber balls Motherbaugh threw out into the crowd during Beautiful World, we headed home, exhausted but happy.

royal_geese

Every year we go to the Royal Winter Fair on the first day, and every year we go home disappointed. Not because the Royal isn’t awesome, it is! But because we always forget that the poultry competitions don’t take place until mid-week. This year, we held off and attended the fair on Wednesday, specifically to check out the hundred of truly gorgeous birds.

I should have been taking notes because I have only a vague recollection of the names of the breeds for most of these, but these were definitely the best of the best. Slightly disappointed to see so few really rare breeds – a few silkies and a frizzle, but not a crested Poland in sight. Still, these birds are all really beautiful, and it’s really interesting to see how much they vary in size and colouration.

The observant will note the absence of any male turkeys  -despite my best efforts the buggers would all turn and shake their tail feather at me, every single time I tried to take a shot.

Thirty or so photos to follow, probably not of much interest unless you’re a bird lover, but they are pretty darn cool.

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